폴 비릴리오의 지각이론을 통해 본 시각적 주체성 회복 -영화 <파이널 컷>과 드라마 <블랙 미러>를 중심으로
A Study on the recovery of visual independence with theory of perception of Paul Virilio -Focusing on the movie <The Final Cut> and the drama <Black Mirror>.
- 발행
- 2012 등록이 논문은 발행 시점을 확인하지 못해 원문 등록일을 적었습니다. KCI가 2005~2008년에 옛 논문을 몰아서 올린 탓에, 그 시기 등록분은 발행보다 평균 3~5년 늦습니다. 실제 발행연도는 더 이를 수 있습니다.
- 출처
- 국내 KCI
- 원문
- 원문 보기 ↗
개념
키워드
Paul Virilio(폴 비릴리오), Dromology(질주학), speed(속도), visual independence(시각적 주체성), <The Final Cut>(파이널 컷), <Black Mirror>(블랙 미러)
초록
This research aims to explain the problem of main agents of visual recognition at the modern picture images, perception of technology and visual system in modern picture images based on the theory of Paul Virilio. Advancement in technical environment makes revolutionary change of the relations between main agents of visual recognition and picture images. This mechanism is very important analytical concept as the process which is composed main agents of visual recognition that indiscriminately accepts excessive picture images in recent years. Paul Virilio look into the speed acceleration by technology as the characteristic in Dromology. This study tries to make clear the theoretical relations between speed, visual system and power. There are three kinds of revolution of dromology in his theory. He contemplaters his theory based on the phenomenology through advanced transporter, the revolution of real time electronic media and the transplant revolution. There is a similar phenomenon of the transplant revolution and cultural eschatology in the movie <The Final Cut>and the drama <Black Mirror> as his point of view. This texts shows us the distorted benefits ot the digital t