<小有亭歌>의 장소재현과 장소성 - 화자의 주체성 문제를 바탕으로 -
Reproduction of Place in <Soyujeongga> and Placeness - Based on the argument of the teller's subjectivity -
- 발행
- 2012
- 소속·발행
- 경북대학교
- 출처
- 국내 KCI
- DOI
- 10.22784/eomun.2011..55.163
- UCI
- G704+INS000000385-ART001622161
- 원문등록
- 2012-01-04
- 원문
- 원문 보기 ↗
개념
키워드
<소유정가>, 장소, 장소성, 장소재현, 박인로, 대구, 화자, <Soyujeongga>, place, placeness, reproduction of placel, ParkInRo, Daegu, the teller
초록
“Soyujeongga” is a gasa work of Park, In-Ro in which the Soyujeong on the bank of Geumhogang in Daegu city is reproduced. Since Soyujeong is a real pavilion that existed in the area of Daegu city, surrounded by Geumhogang, Biseulsan, and Palgongsan, it is significant that “Soyujeongga” is a work that reproduces a place named ‘Soyujeong’ as literature. In this paper, the way how the place is reproduced in “Soyujeongga” and the placeness projected to the way is considered as a methodology to investigate the author’s consciousness. The reproduction of a place that exposes placeness is indivisible relation with sovereignty. By concentrating on the lyrics of the work and investigating the relation between the teller and sovereign entity in the work, it is found that the teller in “Soyujeongga”, ‘I’ is the projection of the author Park, In-Ro himself. On the basis of the above mentioned fact, it is examined that how the placeness of the teller (the author) is reproduced in the work. Firstly, Soyujeong has the most significant value in “Soyujeongga”. By contrasting Soyujeong that is in the middle of extraordinary scenary with outstanding architectures in historical stories, the author