실재에의 열정’과 20세기의 주체성 —20세기의 예술과 정치에 대한 바디우의 철학적 사유
‘Passion for the Real’ and the Subjectivity of the 20th Century
- 발행
- 2011 등록이 논문은 발행 시점을 확인하지 못해 원문 등록일을 적었습니다. KCI가 2005~2008년에 옛 논문을 몰아서 올린 탓에, 그 시기 등록분은 발행보다 평균 3~5년 늦습니다. 실제 발행연도는 더 이를 수 있습니다.
- 출처
- 국내 KCI
- UCI
- G704+INS000000413-ART001560209
- 원문
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개념
키워드
바디우, 실재에의 열정, 아방가르드, 말레비치, 감산, Badiou, Passion for the Real, Avant-garde, Malevich, Subtraction
초록
This paper aims to inquire the subjectivity of the ‘Passion for the Real’ that characterizes the 20th century, by analysing the philosophical thought of Alain Badiou. This investigation is mainly concentrated on the subjectivity of art and politics. The 20th century was a period in which one pursued the end and beginning of the old and new, in order to create the new Man. It was marked by wars and revolutions in pursuit of the new, because the new Man, conceived by Marx and Nietzsche in 19th century, was possible only by destruction of the old. Thus, what governed the subjectivity of 20th century was the Real of struggle and antagonism destined for completion. The ‘Passion for the Real’ has been revealed, in politics, by the politics of purification[épuration], and in art, by the inclination of subtraction showing minimum difference (Malevich). In both cases, the ‘Passion for the Real’ was indicated as the passion for the coming of the new day, that is, as the passion for the new being, which was definitely demonstrated by the artistic trend named as the Avant-garde. The Avant-garde art destroyed old forms, sought for the ceaseless production of the present, and attempted to access