문예영화 <안개>의 근대적 주체성 비판 -소설에서 영화로의 매체 변환과 비판적 응시의 개입을 중심으로
Critical Inquiries into Modern Subjectivity in Mist -Focusing on the Medium Transformation and the Intervention of Critical Gaze-
- 발행
- 2010 등록이 논문은 발행 시점을 확인하지 못해 원문 등록일을 적었습니다. KCI가 2005~2008년에 옛 논문을 몰아서 올린 탓에, 그 시기 등록분은 발행보다 평균 3~5년 늦습니다. 실제 발행연도는 더 이를 수 있습니다.
- 출처
- 국내 KCI
- DOI
- 10.17947/kfa..43.201003.002
- UCI
- G704+INS000001341-ART001429802
- 원문
- 원문 보기 ↗
개념
키워드
Literary Film, media transformation, modernity, modern subjectivity, reflexivity, critical gaze, Literary Film, media transformation, modernity, modern subjectivity, reflexivity, critical gaze
초록
Kim, Soo-yong’s literary film Mist(1967), adapting Kim, Seung-Ok’s novel The Foggy Town, is a rare case dealing with the contemporariness in the 60’sKorean urban society unlike his other literary films whose backdrops used to be some old rural towns in some old days.In that sense, this film should be considered as a good example of exposing the filmmaker’s perspective on the modernity and the modern subjectivity in depth and width. On condition that this film is based on the original novel and the adapter is the novelist himself, the most interesting and intriguing about this film is how the ‘reflexivity’ of the novel, which had been shared with most modernist novels in the 60’s in terms of the protagonists’ critical(-only) attitude against the modern life, was represented, or reconsidered. The point is that Mist was not just a copy of The Foggy Town but rather a critical revision of it and this revision was achieved mainly by the intervention of the critical gaze of the camera, or the filmmaker, namely, in very filmic ways. This achievement amounts to the ‘supplement’ in Derrida’s terms since the original ending of annihilating the short deviate experiences in Mujin, a pseudo-mod