셰익스피어의 경제인:<오셀로>에 나타난 교환의 세계와 젠더화된 주체성
Shakespearean Homo Economicus: The World of Exchange and Gendered Subjectivity in Othello
- 발행
- 2007.12
- 소속·발행
- 전남대학교
- 출처
- 국내 KCI
- DOI
- 10.17259/jcerl.2007.16.2.217
- UCI
- G704+INS000000063-ART001230157
- 원문등록
- 2007-12-31
- 원문
- 원문 보기 ↗
개념
키워드
경제인, 모조인, 교환, 시장, 연극 극장, 오셀로, 오쟁이진 남편, 젠더, homo economicus, artificial man, exchange, market, theater, cuckold, gender, Othello
초록
Theater played an important role in the historical transformation of early modern England. With the establishment of theatrical edifice in the commercial city of London, theatrical performance and playgoing became part of everyday life for Elizabethan and Jacobean English men and women. The playgoers came of diverse social strata, ranging from apprentices and noblemen's pages to citizen entrepreneurs, gentry, and nobility. Regardless of their class distinction, they could buy tickets to theater and have their seats which were differently arranged according to the money they paid. A merchant's wife could find herself seated next to an aristocratic lady. Here money acted as a sort of social equalizer, enabling class mobility to the people of lesser degree.
 This picture of early modern theater hints at the real historical change that took place in England at the time. That change is now known as the rise of capitalism, which is marked by the increasingly wider circulation of money in all realms of social activities. Money introduced new channels for the circulation of social energy, creating new chances of mobility; it even infiltrated into the exclusive social relations of stat