근대 일본의 미디어 리터러시와 야노 류케이
Ryukei Yano and the Media Literacy in Modern Japan
- 발행
- 2021
- 소속·발행
- 전남대학교
- 출처
- 국내 KCI
- DOI
- 10.26591/jpedu.2021..96.011
- 원문등록
- 2021-07-14
- 원문
- 원문 보기 ↗
개념
키워드
야노 류케이, 『일본문체문자신론, 양문체, 『유빙호치신문, 언문일치, Ryukei Yano, 『Nihon Buntai Moji Shinron, double stylistics, 『Yubin Hochi Shimbun, verbal written unity
초록
In this article, we analyse the stylistics of Ryukei Yano by examining Nihon Buntai Moji Shinron. Our analysis suggests that he presented the so called “double stylistics” as an ideal stylistics to convey to a number of people what he learned in modern Japan. His stylistics stands out among the contemporaneous intellectuals in that it was not affected by the illusion of verbal written unity, a sound centred principle, and that it surpassed the mere idealism of the scholars of kana stylistics and roman alphabet stylistics. He was also aware of the inefficiency of the existing kambun stylistics and the difficulty of learning kanji, but he objected to the kango abolishing movement, paying attention to the advantages of kango; it complements the phonetic aspects of Japanese native words, it is visually easily recognisable, and it is economical in terms of the printing media. Yano proposed the double stylistics as an intermediate semiotic system by properly resolving the following dichotomic factors: (i) language and sentence, (ii) voice and characters, and (iii) kanji (ideogram) and kana (phonogram). The double stylistics supported the publishing capitalism most effectively in