미디어 환경 변화에 따른 영화와 OTT시리즈 서사기법 연구: 영화 <웃는 남자>와 OTT 시리즈 <마스크걸>의 비교 분석
- 발행
- 2024 등록KCI API에는 발행일 항목이 없어 원문 등록일을 쓰고 있습니다. 실측으로 발행보다 최대 6년 늦습니다 — 재수집하면 발행연월로 바뀝니다.
- 출처
- 국내 KCI
- DOI
- 10.16945/inahsl.26.2.3
- 원문
- 원문 보기 ↗
개념
키워드
Film, character, narrative, scenario, screenwriting, OTT Series, Film, character, narrative, scenario, screenwriting, OTT Series
초록
This paper examines the evolution of narrative structures in storytelling, focusing on the interplay between character-driven narratives and media-specific formats. Using The Man Who Laughs—a traditional feature-length film—and Mask Girl—a modern OTT series—as case studies, the analysis highlights how differences in character arcs influence and shape narrative structures that align with the unique demands of their respective media.
 The study begins by exploring the character of Gwynplaine in The Man Who Laughs, whose singular and linear arc reflects the traditional three-act structure of classic cinema. The film's concise format prioritizes thematic clarity and emotional intensity, adhering to the requirements of the theatrical medium. In contrast, Mask Girl utilizes a non-linear, episodic structure characteristic of OTT platforms, leveraging its extended runtime and multiple character perspectives to explore contemporary themes such as identity, societal beauty standards, and the psychological implications of social media.
 By comparing these two works, the paper underscores how narrative techniques adapt to audience behavior and technological advancements. The cinemati