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카렌 타이 야마시타의 『열대 오렌지』 —초국가성과 이주민의 주체형성

Karen Tei Yamashita's Tropic of Orange: Transnationality and Migrants' Subject Formation

발행
2011
소속·발행
이화여자대학교
출처
국내 KCI
DOI
10.22909/smf.2009.16.3.011
UCI
G704+INS000001961-ART001407579
원문등록
2011-02-09
원문
원문 보기
개념
키워드

야마시타, 『열대 오렌지』, 이주, 주체형성, 남/북반구, 전자매체, 초국가성, 다문화주의, 나프타, 자유무역, Yamashita, Tropic of Orange, migration, subject formation, south/north hemisphere, electronic media, transnationality, multiculturalism, NAFTA, free trade

초록

Karen Tei Yamashita shows the comprehensive transnational imagination in her works. Her focus is not to search for Japanese American or Asian American identity. The most visible analysis concept for exploring Tropic of Orange's transnationality is migration and electronic mass media. It's background is LA and Mexico and it draws global economic structure which describes the illicit traffic of cocaine and human body organs and constant illegal entry across the US-Mexico border. Global geographical demarcation as well as nation's border have been transformed by the fantasy structure in which the tropic of cancer enters into the orange which the Mexico migrants bring in during the long upward move. LA Freeway riot which was invoked by the economic social transmutation across the border brings on a critical tempest on the lives of 7 ethnic main characters, while all the process and crisis is broadcasted live throughout the world.
 To deal with transnationality and migrants' subject formation, this article analyzes 'free trade' and the invoking relation of migration. What America wants to get from the NAFTA is the consistent supply of cheaper labor and Mexico's natural resources. Y

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