무용 영화 속 신체, 섹슈얼리티, 사회적 차이에 대한 비판적 읽기 - 「더티 댄싱」, 「스텝 업 2」, 「블랙 스완」을 중심으로
A Critical Reading of the Female Body, Sexuality, Social Differences Represented in Dance Movies - Focusing on Dirty Dancing , Step Up 2: The Streets , Black Swan -
- 발행
- 2016 등록KCI API에는 발행일 항목이 없어 원문 등록일을 쓰고 있습니다. 실측으로 발행보다 최대 6년 늦습니다 — 재수집하면 발행연월로 바뀝니다.
- 소속·발행
- 성균관대학교
- 출처
- 국내 KCI
- DOI
- 10.16877/kjds.58.1.201601.1
- 원문
- 원문 보기 ↗
개념
키워드
Dance movie, Body, Sexuality, Social difference, Critical dance studies, Dance movie, Body, Sexuality, Social difference, Critical dance studies
초록
This study undertakes a critical reading of three dance movies Dirty Dancing (1987), Step Up 2: The Streets (2008), Black Swan (2010). By applying a lens of critical theory, cultural studies, and feminist theories as expressed in writings by Roland Barthes(1957), Laura Mulvey(1975), Richard Leppert(2000), Sherill Dodds(2001), and others, this investigation questions how dance movies represent dancing body, sexuality, and social differences, which reflect, construct, and distribute various kinds of myth about dance and the body. First, dancing bodies in the movies show a typical formula of popular screen, which display dancing bodies, female bodies in particular, to be looked at, controled, tamed, and consumed. Second, the movies reproduce a time-old myth of a close relationship between dance and sexuality, both of which reciprocally feed each other. Third, the movies represent dance as a utopian site where social differences such as class, race, and gender are easily resolved or a transcendental site over differences. In conclusion, the dance movies embed cultural meanings and relationships, which reproduce myths of dancing body, sexuality, and social difference.