세계문학론과 모레티(Franco Moretti)의 「『황무지』로부터 인공낙원으로」 비판적 읽기
Critical Reading for Theory of World Literature and Franco Moretti’s “From Wasteland to Artificial Paradise”
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- 소속·발행
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개념
키워드
World Literature, Franco Moretti, T. S. Eliot, Pascale Casanova, skepticism, pyrrhonism, allegory, World Literature, Franco Moretti, T. S. Eliot, Pascale Casanova, skepticism, pyrrhonism, allegory
초록
The paper is to suggest methodologies of reading T. S. Eliot’s Wasteland based on theory of world literature in Franco Moretti’s Signs Taken for Wonders. Theory of world literature is proposed by Moretti, David Damrosch and Pascale Casanova, and is considered as a harsh realistic situation in the age of globalization surrounded by competition and struggle for hegemony, a diagnosis of current situation and a solution for current troubles. Moretti figures out world literature as world system theory, and insists on “distant reading” by escaping existing elitism or canonism. Casanova focuses on inequality between the center and the periphery, and puts emphasis on “world literary space” relatively autonomous for political globalization.
 Moretti finds out mythical significances in Eliot’s and James Joyce’s works. While Joyce symbolizes romantic irony in his novel, Eliot adopts the principle of totality that myth combines fragmentary images as a sort of order. For Moretti, Wasteland is so difficult and verbose that it connects or juxtaposes different meanings, and intends to restore the predetermined balance in the form of mythic system. But, considering conceptions of skepticism an