에즈라 파운드 초기시에 나타난 작가와 독자의 관계
The Relationship Between Author and Audience in the Early Poetry of Ezra Pound
- 발행
- 2008 등록이 논문은 발행 시점을 확인하지 못해 원문 등록일을 적었습니다. KCI가 2005~2008년에 옛 논문을 몰아서 올린 탓에, 그 시기 등록분은 발행보다 평균 3~5년 늦습니다. 실제 발행연도는 더 이를 수 있습니다.
- 소속·발행
- 강릉원주대학교
- 출처
- 국내 KCI
- DOI
- 10.18853/jjell.2008.50.3.016
- UCI
- G704+INS000000567-ART001281322
- 원문등록
- 2008-10-01
- 원문
- 원문 보기 ↗
개념
키워드
alienation, audience, Imagism, juxtaposition, difficulty, alienation, audience, Imagism, juxtaposition, difficulty
초록
One of the characteristics of a modern poet is his painful consciousness of alienation from his society. Ezra Pound, one of the pioneers of modern poetry, was also conscious of his dislocation from a larger reading public. His anxiety about his inadequacy, however, did not drive him to the dead-end of alienation from his audience, though he would not make a compromise with the contemporary philistine public. From the beginning, Pound incessantly tried to communicate with his audience. His earlier poetry, before the period of the Imagist movement, employed a plain style of writing to facilitate the understanding of his verses for his readers. As a kind of prescription for the disease of contemporary poetry, which was too sentimental and used too many redundant words, he gradually developed a new poetics of Imagism based on precise expression, condensation, and ellipsis, which he learned from the study of Romance and Oriental poetry. This new poetics used a juxtaposition of two or more phrases and sentences without any connecting or explanatory parts, so that it made his poetry hard to comprehend. 
 Pound's new poetics was not a temporary tactic against the hostile public. It wa